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| Eli Barsi with her husband and bass player, John Cunningham |
This story appeared in the May, 2013 issue of the Plain & Valley.
“Her life’s become a portrait, Of a cowgirl true and strong,/She always takes the high road, And her heart’s in tune with God,/She’s a picture perfect lady, An angel in my eyes,/She’s a portrait of a cowgirl, Forever painted in my life.”
- Eli Barsi, “Portrait of a Cowgirl”
By Chris Istace
Eli Barsi’s path as a singer,
songwriter and recording artist has run as straight as a well-strung barbed
wire fence.
It’s true that the Kennedy-raised
artist has wandered the map of the Country-Western music scene. Like so many
other songwriters, she moved to Nashville, Tenn. in 1987 to hone her writing,
performing and guitar playing skills. She has since lived in Edmonton and Stony
Plain, Alta., and had an eight-year stay in Branson, Mo. performing with Sons
of the Pioneers beginning in 2002.
Artistically, however, Barsi has
rarely ventured far from the kind of music that has granted her a multitude of
award nominations and allowed her to perform throughout North America. In that
regard, she has stayed true to her roots on the farm. Her repertoire of music
over the past 25-plus years may be categorized into several genres – Western
Roots, Bluegrass, Gospel, Contemporary Country, Traditional Country or Folk –
but it’s all rural, it’s real and it’s from the heart.
In other words, Eli Barsi’s music
is a pure artistic representation of herself, says her husband and band-mate,
John Cunningham.
“The honesty and heart that she
wears on her sleeve shines through her music,” he said on April 29 by email
after attending the Saskatchewan Country Music Awards and Conference in
Saskatoon.
“Her delivery is always without
compromise and genuine. Something special happens when Eli sings. I love being
a part of that.”
Barsi and Cunningham, a bass
guitar player and lead guitarist, now live in Moosomin where they have
established a home base from touring over the past two and half years. It’s
also where they laid the foundation for Eli’s latest CD, “Portrait of a
Cowgirl.” The recording, her 13th since 1995, is scheduled to be
released throughout Canada and the U.S. on June 1.
“(Moosomin) is close to family,
close to my past and the good memories on the farm,” Barsi said. Her childhood
home was located about seven kilometers southwest of Kennedy. “We enjoy small
communities, and Moosomin is a great town with great people.”
Barsi admits that it is more
difficult to network with others in the music industry from here, but finds the
Internet a great tool for doing so.
“I have become very used to
travelling a great distance to get to work. It’s easy to get to the airports
and the U.S. border from here. When I get to go home after a long road trip,
it’s nice to have a quiet, small town to return to.”
This rural lifestyle – particularly
her experiences with the culture’s sensibilities, morals and ethics – inspired
her to write much of what is contained on “Portrait of a Cowgirl.” The CD’s
twelve songs reflect this theme as it pertains to a woman’s experience on the
Prairies.
“I think that my audience wants
to hear real stories about real people; stories that they can relate to,” she
said. “I wanted (the CD) to be honest and positive, with a little bit of an
edge and some fun elements as well.”
Barsi wrote the songs for the CD
in spurts over about two years. She collaborated with three other songwriters
on four of the numbers, but is the sole author of eight of the tracks. The
project was completed in Saskatoon, but the work on the demos and preproduction
was conducted in Barsi’s home studio.
“Farm Girl” sets the path the CD
will follow. It profiles a girl leaving the farm for the city, but she is constantly
mindful of home where ever she may be.
The CD’s title track, “Portrait
of a Cowgirl,” is a gently tempoed song that tells the story of the 20th
Century farmwife, explaining the moral character and work ethic she develops
through that experience.
“This song is a true story that
was inspired by my mom’s life,” Barsi said. “She has made such an impact on my
life and made a difference in the community and beyond. I have dedicated the
album to her, my sister and my daughter, along with many other strong women
that I have been blessed to know thus far.”
Barsi came up with the title of
the CD long before she wrote the song of the same name. After beginning to
write other songs that would follow the “Portrait of a Cowgirl” theme, she
realized how well the title would fit a song about her mother.
“She was a hard working farm girl
on the Prairies in the 1930s and 40s; a one-room school teacher, 4-H leader and
farmer’s wife for 60 years,” Barsi said.
“When I finally got to sit down
with the idea, it didn’t take very long for the lyrics to flow,” she said. “The
music took a little longer to develop. I was happy with how it turned out and glad
I didn’t rush the process.”
The first single release off the
CD is “Hitch Your Wagon to a Star.” This track is an uplifting, mid-tempoed
Contemporary Country song that urges the listener to chase their dreams
regardless of where they are or what their circumstances may be.
You’ve gotta reach no matter where you are/ Hitch your wagon to that
golden star/ It’s never too late to make your mark/ Don’t be afraid to raise
that bar/ Hitch your wagon to a star, Barsi sings in the chorus.
Where ever she is during the
process of creating a song, she leans heavily on her faith.
“I do a lot of soul searching
when I’m writing. I feel very fortunate to have been blessed with the gift of
music and that God has guided me to use it,” she said.
Portrait of a singer-songwriter
Barsi began singing at the age of
three, following along with her father’s records at the Barsi farmhouse near
Kennedy. When she was nine, she began singing at church and local events.
Three years later, she learned to
play guitar and travelled to talent shows and music festivals throughout the
Prairies. This was also when she penned her first song.
She hasn’t stopped since.
By the time she was a teenager,
she was being asked to perform at weddings, anniversaries and some paying gigs.
Eli Barsi was now a professional
musician.
“My mom did a little bit of
singing and playing Hawaiian-style guitar. My dad was a multi-instrumentalist,
playing fiddle, banjo, guitar and a bit of mandolin and piano,” she said. “He
stopped playing many years before I was born, so I never got to hear him play.”
Nevertheless, Barsi’s parents
fully supported her musical endeavors.
“Dad was always eager to find
different instruments for me to try; guitar, mandolin, four-string banjo,” she
said. “Mom got me started on a Sears chord organ and drove me to talent shows
across the Prairies.”
Barsi is also well-known for her
talents as a yodeler. Her ability to yodel developed from her mother’s
inability to accomplish the singing form. Although she was 10 years into her
career before she added yodeling to her repertoire, Barsi believes it adds a
valuable dynamic to her show.
“My mom had done a little bit of
singing at the Kennedy Rodeo years ago. She didn’t do any yodeling, but her
performance story encouraged me,” said Barsi.
“She told me that she and a
girlfriend would sing before the Rodeo up in the announcer’s booth and her
favourite song was Patsy Montana’s ‘I Want to be a Cowboy’s Sweetheart.’ When
it came to the yodeling part, she would leave it out, not knowing how to do it.
People would compliment her, but add, ‘Too bad you didn’t yodel.’ She always
remembered that and told me that I should learn how to yodel… My mom was
right.”
Barsi’s recording career began in
1995 with “Unmarked Trail.” She followed that up with “The Way the West was
Herd” three years later. She released 10 more CDs and a Christmas album through
the next 13 years. In that time, she charted 11 radio singles in Canada and
produced three videos for Country Music Television while touring throughout
North America.
The accolades for her work were
numerous and came from a variety of sources. Since 2001, she has been nominated
about 30 times for a wide range of awards, from Female Vocalist and Female
Yodeler to Best Album, and Song Collaboration of the Year honors.
Among the organizations noting
her accomplishments are the Academy of Western Artists, the Western Music
Association (WMA), the Saskatchewan Country Music Association (SCMA) and the
American Academy of Western Artists (AAWA).
In 2002, Barsi won an AAWA award
for Female Vocalist in Fort Worth, Tex. Four years later, she earned two
awards. The AAWA gave her the Will Rogers Award for Female Vocalist in Dallas,
Tex., and the WMA gave her the Crescendo Award for Best New Artist.
Barsi met her husband, John
Cunningham, on stage in Edmonton in 1989. They were playing the same show in
separate bands at the time.
Cunningham was born in Timmons,
Ont., but raised in Ottawa, Ont. from the age of six. He grew up playing piano,
and later took up the guitar and bass. He began performing professionally when
he was 16, when he played lead guitar for a variety of groups in several
different genres.
When he picked up the bass, the
list of bands he backed grew even longer. Among them were Brad Johner, Jackie
Allan (The Tommy Hunter Show), Ronnie Prophet, Tony Michael and a handful of
Branson theatre shows.
“Every song that I have had to
learn, I have learned something from it,” Cunningham said. “I have had the
opportunity to learn and play thousands of songs and witnessed many live shows,
learning from those people as well.”
Cunningham and Barsi have been
married for 22 years, but have worked together on a fulltime basis for about
eight. Barsi is more than confident in her husband’s capabilities as a
musician.
“He’s well versed in guitar, bass
guitar and harmony vocals,” she said. “He has been my main sound person for a
number of years and is technically savvy with great ears, which is such an
asset when we are on the road. I can always depend on having really great sound
at every show. And he’s a pretty good yodeler too.”
The list of artists that have
influenced Barsi is long and varied. Among those that stand most prominently in
her mind are The Carter Family, Roy Acuff, Wilf Carter and the Sons of the
Pioneers. The songwriters that have moved her include Dolly Parton, Nancy
Griffith, Gary Fjellgaard and others.
Barsi’s songwriting process is
somewhat solitary. She is most productive while driving her vehicle, where she
can be alone with few distractions. During these periods, she is developing the
melody and lyrics, although each song comes to her in a different way.
“It all depends on the story and
where I think it needs to take the listener,” she said. “Once I have the ideas
started, I like to sit down at the kitchen table to fine tune everything. That
being said, I don’t always have the luxury of being ‘at home,’ so my writing
locations have become flexible.”
Barsi and Cunningham do most of
their recording at their home studio, where nine of the 13 CDs have been set
down. Barsi said working at home is easy and convenient, but requires more
responsibility with additional arranging, producing and engineering.
“Sometimes you need to distance
yourself from all of that and just focus on the songs and vocals,” she said. “I
was happy that I went that route this time (for ‘Portraits of a Cowgirl’).”
However, Barsi finds the most
fulfilling part of her career outside of the studio. She loves to travel and
meet people where ever she is performing.
“Throughout the last 27 years, I
have been so blessed to have had the opportunity to meet some really great
people from all walks of life,” she said. “Traveling with my husband is also a
highlight. We make a good team and we have a lot of fun.”
That aspect of the business is
important to Barsi. She and Cunningham have a wide range of responsibilities as
independent artists in an industry she describes as “a very tough road.”
But the feeling she gets while
performing on stage compensates for the hard work required to get there.
“That is when I feel most like
myself and at home. It takes a lot of work to get there and keep the shows
rolling in,” she said. “Being on stage is about 20 per cent of what I do. The
other 80 per cent is set aside for rehearsing, writing, booking the shows,
emailing contacts, advertising, booking flights, renting cars, booking hotel
rooms, radio interviews, marketing, etcetera.”
Outside of all of that, Barsi is
also considering a venture into television. Some time ago, she auditioned for a
job hosting a travel show, where she was among the final three candidates to be
handed the job. This experience brought opportunities to host two other travel
shows which had pilots shot in 2012.
“Both travel shows have unique
themes which my disclaimer does not allow me to discuss. However, they also
incorporated my music and writing, which was very exciting for me,” she said,
adding that the programs are currently being shopped to several Canadian and
European broadcasters.
“Time will tell when and where
the shows will be aired,” she said.
Barsi will continue to tour her
“Portrait of a Cowgirl” CD through to the end of September. She played the
Moosomin Community Theatre on April 18, where she was well received by her home
audience. May through September, she and Cunningham will perform shows in
Saskatchewan, Alberta, New York and Nashville.
A full schedule of her shows and
her CD discography is available at elibarsi.com.

